Ung kona, Diouana, kemur til Frakklands fr\u00e1 Senegal til a\u00f0 vinna og kynnast \u00fev\u00ed sem landi\u00f0 hefur upp \u00e1 a\u00f0 bj\u00f3\u00f0a.<\/p>\n
Kvikmyndas\u00f6gulega er La Noire de…<\/em> mikilv\u00e6g og er s\u00f6g\u00f0 marka upphaf afr\u00edskar kvikmyndager\u00f0ar sunnan Sahara. H\u00fan er \u00fe\u00f3 ekki nema r\u00e9tt r\u00famur klukkut\u00edmi a\u00f0 lengd. H\u00fan er frumraun rith\u00f6fundarins Ousmane Semb\u00e8ne sem leikstj\u00f3ra. Hann vildi nota kvikmyndaformi\u00f0 til a\u00f0 n\u00e1 til brei\u00f0ari h\u00f3ps, \u00fear \u00e1 me\u00f0al hinna \u00f3l\u00e6su.<\/p>\n \u00c1 yfirbor\u00f0inu er La Noire de…<\/em> sorgarsaga ungrar konu fr\u00e1 Senegal sem kemur til Frakklands \u00ed \u00feeirri tr\u00fa a\u00f0 komi\u00f0 ver\u00f0i fram vi\u00f0 hana sem manneskju. Mbissine Th\u00e9r\u00e8se Diop \u00ed hlutverki Diouana n\u00e1\u00f0i m\u00e9r um lei\u00f0 og h\u00fan birtist \u00e1 skj\u00e1num. H\u00fan er algj\u00f6rlega lykillinn a\u00f0 myndinni \u00fe\u00f3 h\u00fan segi l\u00edti\u00f0 „upph\u00e1tt“. \u00cd sta\u00f0inn heyrum vi\u00f0 hugsanir hennar. Diouana (bori\u00f0 svol\u00edti\u00f0 fram eins og J\u00f3hanna ) segir okkur fr\u00e1 upplifun sinni og hvernig h\u00fan enda\u00f0i \u00ed \u00feessum a\u00f0st\u00e6\u00f0um. Samt segja svipbrig\u00f0i hennar og l\u00e1tbrag\u00f0 oft meira.<\/p>\n Saga hennar mikilv\u00e6g en \u00ed henni felst l\u00edka saga um heimsvaldastefnuna og arfleif\u00f0 hennar. \u00deetta er au\u00f0vita\u00f0 aldrei sagt en vi\u00f0 f\u00e1um \u00e1minningar svo sem mynd af Patrice Lumumba \u00ed herbergi k\u00e6rasta Diouana.<\/p>\n \u00cd \u00f6\u00f0ru atri\u00f0i sj\u00e1um vi\u00f0 minnisvar\u00f0a um \u00fe\u00e1 Senegala sem b\u00f6r\u00f0ust og d\u00f3u fyrir Frakkland \u00ed tveimur heimstyrj\u00f6ldum. S\u00fa \u00e1minning er mikilv\u00e6g \u00fear sem kvikmyndir um \u00feessar heimstyrjaldir hafa \u00fear til n\u00fdlega algj\u00f6rlega hunsa\u00f0 tilvist allra hermanna fr\u00e1 n\u00fdlendunum. Um lei\u00f0 og kvikmyndir s\u00fdndu \u00e1horfendum loks einhverja \u00feessarra hermanna var \u00fea\u00f0 kalla\u00f0 s\u00f6guf\u00f6lsun.<\/p>\n \u00datlitslega er La Noire de…<\/em> \u00e1kaflega falleg kvikmynd. M\u00e9r \u00fe\u00f3tti reyndar lei\u00f0inlegt a\u00f0 komast a\u00f0 \u00fea\u00f0 er til lengri \u00fatg\u00e1fa. S\u00fa sem \u00e9g s\u00e1 var 65 m\u00edn\u00fatur en \u00fea\u00f0 er til sj\u00f6t\u00edu m\u00edn\u00fatna \u00fatg\u00e1fa fr\u00e1 BFI. \u00c9g \u00fearf a\u00f0 finna hana n\u00e6st.<\/p>\n \u00dear til a\u00f0 kom a\u00f0 lokaatri\u00f0inu var \u00e9g \u00f3viss um hvers konar einkunn h\u00fan fengi fr\u00e1 m\u00e9r. \u00dea\u00f0 n\u00e1\u00f0i m\u00e9r algj\u00f6rlega og ger\u00f0i heildina betri.<\/p>\n Ef, e\u00f0a \u00feegar, \u00fei\u00f0 hafi\u00f0 s\u00e9\u00f0 myndina get \u00e9g m\u00e6lt me\u00f0 grein Jonathan Rosenbaum Black-And-White World<\/a><\/em>. Hann kallar La Noire de…<\/em> meistaraverk.<\/p>\n \u00d3li gefur \u2605\u2605\u2605\u2605\u2605.<\/p>\n","protected":false},"excerpt":{"rendered":" Ung kona, Diouana, kemur til Frakklands fr\u00e1 Senegal til a\u00f0 vinna og kynnast \u00fev\u00ed sem landi\u00f0 hefur upp \u00e1 a\u00f0 bj\u00f3\u00f0a. Kvikmyndas\u00f6gulega er La Noire de… mikilv\u00e6g og er s\u00f6g\u00f0 marka upphaf afr\u00edskar kvikmyndager\u00f0ar sunnan Sahara. H\u00fan er \u00fe\u00f3 ekki nema r\u00e9tt r\u00famur klukkut\u00edmi a\u00f0 lengd. H\u00fan er frumraun rith\u00f6fundarins Ousmane Semb\u00e8ne sem leikstj\u00f3ra. Hann … Halda \u00e1fram a\u00f0 lesa: La Noire de… (1966) \u2605\u2605\u2605\u2605\u2605 \ud83d\udc4d\ud83d\udc4d\ud83d\udd96<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":24422,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[1652,500,1979],"class_list":["post-24421","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-almennt","tag-q1343526","tag-kvikmyndaahorf-2025","tag-q3211102"],"_links":{"self":[{"href":"https:\/\/truflun.net\/oligneisti\/wp-json\/wp\/v2\/posts\/24421","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/truflun.net\/oligneisti\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/truflun.net\/oligneisti\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/truflun.net\/oligneisti\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/truflun.net\/oligneisti\/wp-json\/wp\/v2\/comments?post=24421"}],"version-history":[{"count":4,"href":"https:\/\/truflun.net\/oligneisti\/wp-json\/wp\/v2\/posts\/24421\/revisions"}],"predecessor-version":[{"id":24426,"href":"https:\/\/truflun.net\/oligneisti\/wp-json\/wp\/v2\/posts\/24421\/revisions\/24426"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/truflun.net\/oligneisti\/wp-json\/wp\/v2\/media\/24422"}],"wp:attachment":[{"href":"https:\/\/truflun.net\/oligneisti\/wp-json\/wp\/v2\/media?parent=24421"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/truflun.net\/oligneisti\/wp-json\/wp\/v2\/categories?post=24421"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/truflun.net\/oligneisti\/wp-json\/wp\/v2\/tags?post=24421"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}